The Fox-Situation (Excerpt from Both Sides of the Surface: The Early Performances of Terry Fox)
In the formative years of Conceptual Art from 1968-1972 Terry Fox (1943-2008) developed a highly original and widely applicable mode of using continuous duration in performance-based sculpture. This is how he came up with it.
AUDITION 2: Deleuze’s Passive Synthesis
The Passive-Productive synthesis is one of Deleuze’s most startling and original inventions. Let’s try and break it down…
A Map of the Room You Are In : Art Education After Art
Is this arcane knowledge gleaned from the teeming brain of a mad wizard, or a roadmap for Art Education in a post-representational cosmogony? Only your students will know for sure,
AUDITION #1: Extension and Duration as Adjudications of the Sensible
Object-Temporalization as an alternative to space as the foundation of sculpture theory. Sculpture as durational object
Art In Context: Teaching Art as Intervention in a Public Middle School
Documentation of ART IN CONTEXT, a yearlong Art and Intervention class taught at Ashland Middle School in Ashland, Oregon, 2019-2020
Documentation of Student Work 2017-2023
Digital Art, Video, Media Art, Studio Art and Journalism, Grades 6-8